Tolerance Is Extinction (Part 3) concludes the trilogy with a potent blend of high stakes and raw emotion, tying up the season’s plotlines and paving the way for future adventures. With a substantial 42-minute duration, it delves deeper into thematic explorations and character interactions. The episode deserves acclaim for its nuanced depiction of Magneto’s turmoil and his complex relationship with Charles Xavier, while also tackling the ethical quandaries of Xavier’s telepathic interventions.

The Summers clan, especially Cyclops and Jean Grey, get their moments in the spotlight, demonstrating both their heroism and the intricate nature of their partnership. The episode reaches an emotional crescendo with Scott, Jean, and their son Cable’s psychic goodbye, slicing through the tangled family narrative to reveal the essence of their connection. Additionally, the show does not fall back on Cable’s time-travel as a narrative crutch, a choice that should resonates well with the audience.

The title of the episode hints at a thorough exploration of tolerance and extremism, yet you could say it shies away from fully addressing these heavy topics, postponing them to the following season. Nevertheless, the episode adds a compellingly dark dimension to Professor X, casting doubt on the ethics of his choices and the shadowy aspects of his vision for mutants.

Visually, the episode stands out with its energetic fight scenes and upholds the show’s reputation for stellar animation. The showdown with Bastion and the safeguarding of Asteroid M are especially remarkable for their fervour and magnitude. The X-Men get to use their powers will even more beautiful new moves that will delight fans.

Tolerance Is Extinction (Part 3) serves as an impactful season ender, skilfully blending thrilling action with poignant moments. It leaves the audience yearning for more, solidifying X-Men ’97‘s ability to engage viewers with its narrative and character arcs.

In the tantalizing post-credits scene, we catch Apocalypse on a scavenger hunt in Genosha, where he snags a queen of hearts playing card, a cheeky nod to Gambit and Rogue’s tumultuous romance. With a sombre tone, he laments the extensive demise, and one can’t help but wonder if he’s referring to ‘Death’ with a dramatic uppercase ‘D’, given that both Gambit and Wolverine have played tag with the title of Death as Apocalypse’s Horsemen in the comic lore. To be continued indeed…

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