At one point in this episode, mid-battle with the Leader and fresh off meeting She-Hulk, the Gray Hulk spits a line that lands harder than expected: “Banner’s bought his last pair of purple trousers.”

It’s not a headline quote, but it’s telling. Season 2 of The Incredible Hulk mutates into The Incredible Hulk and She-Hulk, a shift born from network discomfort with the darkness of season one. What follows is a truncated, retooled season — a different beast entirely.

Gone is the brooding, solitary figure wandering through gamma fallout. In his place, Bruce finds companionship. But with Jennifer Walters comes a cheeriness and zest for life that jars against the haunted tone that came before. The show trades existential dread for sitcom sparkle — and it shows.

This episode does its best to resolve the cliffhanger, and Bob Forward’s dialogue still crackles. But something’s missing. Urgency. Weight. Betty Ross is sidelined, reduced to passing mentions. Bruce himself fades into the background as the Gray Hulk takes centre stage. Rick Jones vanishes. And the show pivots from moral melodrama and gamma-powered reckonings to high school reunions and fashion shows.

The rest of the season follows suit — and fans of the first run feel the loss. As Gargoyle mutters when the Gray Hulk shifts back into the Green Goliath: “You don’t have to be a genius to see where this is going.”

And he’s right. In chasing humour and light, the series loses what made it unique. What follows is a divisive, much-maligned final stretch — a cautionary tale in tonal whiplash.

Before he was green, he was gray.

The Hulk’s original appearance in The Incredible Hulk #1 (1962) featured a gray-skinned brute — not due to creative intent, but a printing error. The gray tone was inconsistent across pages, prompting Marvel to shift to green by issue #2. But the Gray Hulk wasn’t forgotten. He became something else entirely.

In the late ’80s, writer Peter David reintroduced the Gray Hulk as a distinct persona: smarter, meaner, and morally ambiguous. Dubbed “Joe Fixit,” this version operated as a Las Vegas enforcer — a cunning bruiser who preferred suits to smashing. He wasn’t Banner’s rage made flesh; he was Banner’s repression, sarcasm, and survival instinct.

The Gray Hulk’s emergence marked a turning point in Hulk lore: the beginning of multiple Hulk personas, each reflecting fractured aspects of Bruce Banner’s psyche. Green was primal fury. Gray was streetwise cunning. Later, the Savage Hulk, Professor Hulk, and Devil Hulk would follow — but Joe Fixit was the first to challenge the idea that Hulk was just one thing.

He’s resurfaced many times since — in Immortal Hulk, Maestro, and Joe Fixit — often as the wildcard in Banner’s internal war. Not the strongest Hulk. Not the kindest. But maybe the most human.

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