After two years of waiting, X‑Men ’97 roars back into action for its second season, and this opening chapter throws us straight into a time‑travelling epic centred on one of the X‑Men’s most enduring and dangerous foes: Apocalypse. Days of Past Future wastes no time reminding us why this series struck such a chord — the ambition is bigger, the stakes are higher, and the emotional core is already beating loudly.

The beauty of the episode is evident immediately. The animation remains a delight, with one Storm sequence in particular guaranteed to send shivers down the spine of long‑time fans. The new costumes and character designs are lifted straight from the Nineties comics, and Cable’s future has never looked better on screen. It’s a visual love letter to the era without ever feeling nostalgic for nostalgia’s sake.

There are also the little comic‑book touches that reward attentive viewers: the appearance of the Final Horsemen, Trish Tilby still bearing the scars of her transformation, and the inspired decision to scatter the team across different points in time. If future episodes explore their respective eras with the same focus this one does, we’re in for something special.

But beneath the spectacle, it’s all about family. Scott and Jean struggle with hiding their identities from Nathan, and when the truth finally comes out, he’s stronger for it. Their goodbye carries real weight — a reversal of the classic Cable tragedy, but no less affecting. And then we cut to the present, where an older Cable is assembling his own strike team, complete with welcome returns for Archangel and Psylocke. His next stop? One Jubilation Lee. To be continued indeed.

HONEYMOON IN THE FUTURE!

The Adventures of Cyclops and Phoenix is one of those rare X‑Men stories that reshapes the mythology without ever raising its voice. Across four issues, it takes Scott and Jean out of the chaos of the present and drops them into a future ruled by Apocalypse, not to fight a war, but to raise a child. The mini‑series reframes Cable’s origin from a tangle of time‑travel lore into something far more intimate: a family trying to give their son a life, even if that life exists centuries beyond their own.

What stands out most is how small the story feels, despite its scale. Scott and Jean aren’t leading teams or saving worlds; they’re teaching Nathan how to walk, how to trust, how to survive. The Askani future becomes a crucible for all three of them, and the mini‑series treats that time not as a detour, but as a defining chapter in the Summers legacy. It’s the first time Scott and Jean are allowed to be parents without interruption, even though they know the moment is temporary.

The tragedy, of course, is built into the premise. Their presence in the future strengthens Nathan, but it also reinforces the loop that ensures Apocalypse’s rise. The mini‑series never shies away from that paradox. It shows how love can shape a hero, even when it cannot save the timeline. Scott and Jean leave Nathan knowing they’ve given him everything they could, and knowing it still won’t be enough to stop what’s coming.

Leave a comment