The original animated X‑Men series broke the mold when it came to continuity. Its first season was a fully structured arc, with each episode leading directly into the next — a common practice now, but virtually unheard of in Saturday‑morning animation at the time. Producers and networks preferred stories that could air in any order, and anyone who has ever tried to untangle the true watch order of the final three seasons knows how complicated that became. But within those season‑long arcs were character‑focused episodes, each giving a favourite their moment. The first to receive such treatment was Wolverine, way back in Cold Vengeance, where most of the episode centred on his Arctic showdown with Sabretooth. Every member eventually got their turn, and X‑Men ’97 proved in its first season — with episodes like Lifedeath and Motendo — that it intended to follow suit.

One of the few criticisms levelled at X‑Men ’97 is its side-lining of Wolverine. In the original series, his popularity guaranteed he received the bulk of the solo stories — and why not? His history is vast and complicated enough to fill an entire show. But until Magneto tore the adamantium from his body in the Season One three‑part finale Tolerance Is Extinction, Logan didn’t have much to do. This season, the producers and writers clearly heard the fan outcry, and Weapon X, Lies and DVDs is the result.

A loose sequel to the original series episode Weapon X, Lies and Videotape (ask your parents), this chapter revisits the Weapon X programme, reuniting a full team of misfits — some better known than others — to infiltrate a new facility run by Dr. Abraham Cornelius, the scientist responsible for bonding adamantium to Logan’s skeleton. The team lands, not without casualties, and discovers an even greater threat inside the base. From there, things only get worse. Weapon X, Lies and DVDs brings horror to the foreground more effectively than Lifedeath ever could. The original series simply couldn’t have done this episode: it’s bloody (green, but still), gory, and full of body‑horror squeamishness, finally bringing the once‑restricted Brood to the small screen in all their bug‑eyed terror. More than once, this viewer jumped. The animation is, as usual, stellar — fluid, dynamic, and beautifully rendered.

As the season continues, we can only hope some of the other X‑Men receive similarly themed solo stories as we move forward.

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